ICMC|SMC|2014
Scientific Program (with the papers)
Time | Room | Monday, 15 September 2014 |
09:00- 10:40 | Odeon 2 | OS1: Music Information Retrieval Chair: Xavier Serra, Pompeu Fabra University, Spain |
Computational ethnomusicology: a music information retrieval perspective, Invited Speech George Tzanetakis, University of Victoria, Canada |
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Power-scaled spectral flux and peak-valley group-delay methods for robust musical onset detection Li Su, Yi-Hsuan Yang |
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Towards Soundscape Information Retrieval (SIR) Tae Hong Park, Jun Hee Lee, Jaeseong You |
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A history of emerging paradigms in EEG for music Kameron Christopher, Ajay Kapur, Dale Carnegie, Gina Grimshaw |
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Landmark detection in hindustani music melodies Sankalp Gulati, Joan Serrà, Kaustuv Ganguli, Xavier Serra |
Time | Room | Monday, 15 September 2014 |
09:00- 10:40 | Odeon 3 | OS2: Aesthetics of Computer and Interactive Music-1 Chair: Tae Hong Park, New York University, USA |
The place and meaning of computing in a sound relationship of man, machines, and environment, Invited Speech Agostino Di Scipio, Conservatory of Naples, Italy |
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How blue is Mozart? Non verbal sensory scales for describing music qualities Maddalena Murari, Antonio Roda', Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri |
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Building a Gamelan from bricks Tzu-En Ngiao |
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Modelling the live-electronics in electroacoustic music using particle systems André Perrotta, Flo Menezes, Luis Gustavo Martins |
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POLISphone: Creating and performing with a flexible soundmaps Filipe Lopes, Paulo Rodrigues |
Time | Room | Monday, 15 September 2014 |
09:00- 10:40 | Odeon 4 | OS3: Algorithmic Composition-1 Chair: Maximos Kaliakatsos-Papakostas, Aristotle University of Thessaloniki, Greece |
Probabilistic harmonization with fixed intermediate chord constraints Maximos Kaliakatsos-Papakostas, Emilios Cambouropoulos |
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Efficient sampling from statistical models of music Dorien Herremans, Kenneth Sörensen, Darrell Conklin |
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Swarm lake: a game of swarm intelligence, human interaction and collaborative music composition Maximos Kaliakatsos-Papakostas, Andreas Floros, Konstantinos Drossos, Konstantinos Koukoudis, Manolis Kyzalas, Achilleas Kalantzis |
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N-gon waves – audio applications of the geometry of regular polygons in the time domain Dominik Chapman, Mick Grierson |
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Directed transitional composition for gaming and adaptive music using Q-learning Jason Cullimore, Howard Hamilton, David Gerhard |
Time | Room | Monday, 15 September 2014 |
11:10-12:10 | Onasis 2 | Keynote Speech 1 Chair: Anastasia Georgaki, University of Athens, Greece |
Sound and music computing meets philosophy computing meets philosophy Jean-Claude Risset, Universitéd'Aix-Marseille, Laboratoire de Mécanique et d'Acoustique CNRS, France |
Time | Room | Monday, 15 September 2014 |
14:30- 16:30 | Odeon 2 | OS4: Analysis / Synthesis-1 Chair: Μarcelo Queiroz, University of São Paulo, Brazil |
Real-time composition of sound environments, Invited Speech Georgia Spiropoulos, IRCAM, France |
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The sound effect of ancient Greek theatrical masks Fotios Kontomichos, Thanos Vovolis, Eleftheria Georganti, John Mourjopoulos |
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Understanding and tuning mass-interaction networks through their modal representation Jerome Villeneuve, Claude Cadoz |
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Declarative composition and reactive control in marsyas Jakob Leben, George Tzanetakis |
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A flexible and modular crosslingual voice conversion system Anderson Machado, Marcelo Queiroz |
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Intelligent exploration of sound spaces using decision trees and evolutionary approach Gordan Kreković, Davor Petrinović |
Time | Room | Monday, 15 September 2014 |
14:30- 16:30 | Odeon 3 | OS5: Languages for Computer Music Chair: Andreas Floros, Ionian University, Greece |
LC: a new computer music programming language with three core features Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu |
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Mostly-strongly-timed programming in LC Hiroki Nishino, Ryohei Nakatsu |
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Real time tempo canons with Antescofo Christopher Trapani, José Echeveste |
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Sound processes: a new computer music framework Hanns Holger Rutz |
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o.io: A unified communications framework for music, intermedia and cloud interaction Adrian Freed, Rama Gottfried, John MacCallum, Jeff Lubow, Derek Razo, David Wessel |
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Towards defining the potential of electroacoustic infrasonic music Alexis Crawshaw |
Time | Room | Monday, 15 September 2014 |
14:30- 16:10 | Odeon 4 | SS1: Special Session “Technologies and Sound: Questions and Philosophical Views” Chair: Agostino Discipio, Music Conservatory of L'Aquila, Italy |
Ambient culture: Coping musically with the environmnet Marcus Maeder |
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A paradigm shift for modelling sound sensation John Mourjopoulos |
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From digital ‘Echos’ to virtual ‘ethos’: ethical aspects of music technology George Kosteletos, Anastasia Georgaki |
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Ecologically grounded multimodal design: the Palafito 1.0 study Damián Keller, Joseph Timoney, Leandro Constalonga, AriadnaCapasso, Patricia Tinajero, Victor Lazzarini, Marcelo SoaresPimenta, Maria Helena de Lima, Marcelo Johann |
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Ex-Ethous (Εξ Έθους): Changing Habits Marcos Novak |
Time | Room | Tuesday, 16 September 2014 |
09:00- 10:40 | Odeon 2 | OS6: Computational musicology Chair: Emilios Cambouropoulos, Aristotle University of Thessaloniki, Greece |
Echoes in Plato’s cave: ontology of sound objects in computer music and analysis, Invited Speech Alan Marsden, Lancaster University, United Kingdom |
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An idiom-independent representation of chords for computational music analysis and generation Emilios Cambouropoulos, Maximos Kaliakatsos-Papakostas, Costas Tsougras |
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Corpora for music information research in Indian art music Ajay Srinivasamurthy, Gopala Krishna Koduri, Sankalp Gulati, Vignesh Ishwar, Xavier Serra |
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Analysis of the simultaneity, voice/layer balance and rhythmic phrasing in works for guitar by Rodrigo, Brouwer and Villa-Lobos Sérgio Freire, Lucas Nézio, Anderson Reis |
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Algebraic Mozart by tree synthesis Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka |
Time | Room | Tuesday, 16 September 2014 |
09:00- 10:40 | Odeon 3 | OS7: Artificial Intelligence and Music Chair: Roberto Bresin, Royal Institute of Technology, Sweden |
An automatic singing impression estimation method using factor analysis and multiple regression Ai Kanato, Tomoyasu Nakano, MasatakaGoto, Hideaki Kikuchi |
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Real-time manipulation of syncopation in audio loops Diogo Cocharro, George Sioros, Marcelo Caetano, Matthew Davies |
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The notion of Ethos in Arabic music: computational modeling of Al-Urmawi's modes (13th Century) in Csound Raed Belhassen |
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Evaluating perceptual separation in a pilot system for affective composition Duncan Williams, Alexis Kirke, Eduardo Miranda, Ian Daly, Etienne Roesch, James Weaver, SlawomirNasuto |
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Spatialization symbolic music notation at ICST Emile Ellberger, Germán Toro Perez, Johannes Schuett, Giorgio Zoia, Linda Cavaliero |
Time | Room | Tuesday, 16 September 2014 |
09:00- 10:40 | Odeon 4 | OS8: New Interfaces for Musical Expression-1 Chair: Leontios Hadjileontiadis, Aristotle University of Thessaloniki, Greece |
Creating a place as a medium for musical communication using multiple electroencephalography Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Hiroko Terasawa, Reiko Hoshi-Shiba, Kazuo Okanoya, Kiyoshi Furukawa |
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The breath engine: challenging biological and technological boundaries through the use of NK complex adaptive systems Joe Cantrell, Colin Zyskowski, Drew Ceccato |
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Animating timbre - A user study Sean Soraghan |
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Conceptual blending in biomusic composition space: the “brainswarm” paradigm Leontios Hadjileontiadis |
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Instantaneous detection and classification of impact sounds: turning simple objects into powerful musical control interfaces Nikolaos Stefanakis, Yannis Mastorakis, Athanasios Mouchtaris |
Time | Room | Tuesday, 16 September 2014 |
11:10-12:10 | Onasis 2 | Keynote Speech 2 Chair: Kostas Moschos, Institute for Research on Music & Acoustics , Greece |
Mathews’ Diagram and Euclid’s Line -fifty years ago- John Chowning, Computer Research in Music and Acoustics (CCRMA), Stanford University, USA |
Time | Room | Tuesday, 16 September 2014 |
14:30- 16:10 | Odeon 2 | OS9: Analysis / Synthesis-2 Chair: Tamara Smyth, University of California, San Diego, USA |
Some perspectives in the artistic rendering of music scores Gianpaolo Evangelista |
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Timbre-invariant audio features for style analysis of classical music Christof Weiss, Matthias Mauch, Simon Dixon |
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ΗarmonyMixer: mixing the character of chords among polyphonic audio Satoru Fukayama, Masataka Goto |
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The use of rhythmograms in the analysis of electroacoustic music, with application to Normandeau’s onomatopoeias cycle David Hirst |
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From automatic sound analysis of gameplay footage [Echos] to the understanding of player experience [Ethos]: an interdisciplinary approach Raphael Marczak, Pierre Hanna, Jean-Luc Rouas, Jasper van Vught, Gareth Schott |
Time | Room | Tuesday, 16 September 2014 |
14:30- 16:10 | Odeon 3 | OS10: Analysis / Synthesis-3 Chair: Federico Avanzini, University of Padova, Italy |
Timbre features and music emotion in plucked string, mallet percussion, and keyboard tones Chuck-jee Chau, Bin Wu, Andrew Horner |
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A framework for music analysis/resynthesis based on matrix factorization Juan Jose Burred |
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Musical audio denoising assuming symmetric a-stable noise Nikoletta Bassiou, Constantine Kotropoulos |
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A bowed string physical model including finite-width thermal friction and hair dynamics Esteban Maestre, Carlos Spa, Julius Smith |
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Detection of random spectral alterations of sustained musical instrument tones in repeated note contexts Chung Lee, Andrew Horner |
Time | Room | Tuesday, 16 September 2014 |
14:30- 16:10 | Odeon 4 | SS2: Special Session “Dematerializing - Rematerializing: Tangibility in Computer Music” Chair: Claude Cadoz, ACROE, France |
Tangibility, presence, materiality, reality in artistic creation with digital technology Claude Cadoz, Alexandros Kontogeorgakopoulos, Ioannis Zannos |
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Digital musical instruments in the digital fabrication age Alexandros Kontogeorgakopoulos |
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Corporeality, actions and perceptions in gestural performance of digital music Jan Schacher |
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Immediacy - intimacy and manipulation – extension of the tangibility metaphor Ioannis Zannos |
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Listening otherwise: playing with sound vibrations Pascale Criton |
Time | Room | Wednesday, 17 September 2014 |
09:00- 10:40 | Odeon 2 | OS11: Human Computer Interaction and Music Chair: Giovanni De Poli, University of Padova, Italy |
Musical timbre and emotion: the identification of salient timbral features in sustained musical instrument tones equalized in attack time and spectral centroid Bin Wu, Andrew Horner, Chung Lee |
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Design process for interactive sound installations: the designer, the interactor and the system Cecile Le Prado, Stephane Natkin |
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“Topos” toolkit for pure data: exploring the spatial features of dance gestures for interactive musical applications Luiz Naveda, Ivani Santana |
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AscoGraph: a user interface for sequencing and score following for interactive musical pieces Thomas Coffy, Arshia Cont, Jean-Louis Giavitto |
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Citygram one: one year later Tae Hong Park, Michael Musick, John Turner, Charlie Mydlarz, Jun Hee Lee, Jaeseong You, Luke DuBois |
Time | Room | Wednesday, 17 September 2014 |
09:00- 10:40 | Odeon 3 | OS12: Composition Systems / Techniques-1 Chair: Stefan Bilbao, University of Edinburgh, UK |
Easter eggs: hidden tracks and messages in musical mediums Jonathan Weinel, Darryl Griffiths, Stuart Cunningham |
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Modular physical modeling synthesis environments on GPU Stefan Bilbao, Alberto Torin, Paul Graham, James Perry, Gordon Delap |
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StiffNeck: the electroacoustic music performance venue in a box Gerhard Eckel, Martin Rumori |
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Fine-tuned control of concatenative synthesis with CataRT using the Bach Library for Max Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz |
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pOM: linking pen gestures to computer-aided composition processes Jérémie Garcia, Jean Bresson, Philippe Leroux |
Time | Room | Wednesday, 17 September 2014 |
09:00- 10:40 | Odeon 4 | OS13: Computer environments for sound/music processing-1 Chair: Yann Orlarey, GRAME, France |
Audio rendering/processing and control ubiquity? a solution built using Faust dynamic compiler and JACK/NetJack Stephane Letz, Sarah Denoux, Yann Orlarey |
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DIMI-6000: an early musical microcomputer by Erkki Kurenniemi Kai Lassfolk, Jari Suominen, Mikko Ojanen |
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Model-view-controller separation in Max using Jamoma Trond Lossius, Theo de la Hogue, Pascal Baltazar, Tim Place, Nathan Wolek, Julien Rabin |
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New tools for aspect-oriented programming in music and media programming environments John MacCallum, Adrian Freed, David Wessel |
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Flocking: a framework for declarative music-making on the Web Colin Clark, Adam Tindale |
Time | Room | Wednesday, 17 September 2014 |
11:10-12:10 | Onasis 2 | Keynote Speech 3 Chair: Georgios Kouroupetroglou, University of Athens, Greece |
Creative symbolic interaction Gérard Assayag, IRCAM, CNRS, UPMC, France |
Time | Room | Wednesday, 17 September 2014 |
14:30- 16:30 | Odeon 2 | OS14: Automatic music generation/accompaniment systems Chair: Moreno Andreatta, IRCAM, Paris, France |
Kuatro: a motion-based framework for interactive music installations David Johnson, Yiorgos Vassilandonakis, Seth Stoudenmier, Bill Manaris |
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Modes of sonic interaction in circus: three proofs of concept Ludvig Elblaus, Maurizio Goina, Marie-Andrée Robitaille, Roberto Bresin |
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Laminae: a stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics Kenta Okumura, Shinji Sako, Tadashi Kitamura |
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Machine improvisation with formal specifications Alexandre Donze, Rafael Valle, Sophie Libkind, Ilge Akkaya, Sanjit Seshia, David Wessel |
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Modulus p rhythmic tiling canons and some implementations in OpenMusic visual programming language Hélianthe Caure, Carlos Agon, Moreno Andreatta |
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Planning human-computer improvisation Jérôme Nika, José Echeveste, Marc Chemillier, Jean-Louis Giavitto |
Time | Room | Wednesday, 17 September 2014 |
14:30- 16:30 | Odeon 3 | OS15: Algorithmic Composition-2 Chair: Emilia Gomez, Universitat Pompeu Fabra, Spain |
Gene expression synthesis Alo Allik |
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AutoChorus Creator: four-part chorus generator with musical feature control, using search spaces constructed from rules of music theory Benjamin Evans, Satoru Fukayama, MasatakaGoto, NagisaMunekata, Tetsuo Ono |
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Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition Gilberto Bernardes, Matthew Davies, Carlos Guedes, Bruce Pennycook |
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AutoRhythmGuitar: computer-aided composition for rhythm guitar in the tab space Matt McVicar, Satoru Fukayama, MasatakaGoto |
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Takt: a read-eval-play-loop interpreter for a structural/procedural score language Satoshi Nishimura |
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Query-by-multiple-examples: content-based search in computer-assisted sound-based musical composition Tiago Fernandes Tavares, Jônatas Manzolli |
Time | Room | Wednesday, 17 September 2014 |
14:30- 16:10 | Odeon 4 | SS3: Special Session “Tangibility in Computer Music” Chair: Claude Cadoz, ACROE, France |
Being there & being with: the philosophical and cognitive notions of presence and embodiment in virtual instruments Annie Luciani |
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Sound mosaic in geveryday objects Diemo Schwarz |
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Spacialsound and tangibility Ludger Brummer |
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sculpTon: a malleable tangible interface for sound sculpting Alberto Boem |
Time | Room | Thursday 18, September 2014 |
09:00- 10:40 | Odeon 2 | OS16: Spatial Sound & Spatialization Techniques Chair: Martin Supper, Berlin University of Arts, Germany |
ImmLib - A new library for immersive spatial composition Miguel Negrão |
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The HOA library, review and prospects Anne Sèdes, Pierre Guillot, Elliot Paris |
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Introducing the zirkonium MK2 system for spatial composition David Wagner, Ludger Brümmer, Götz Dipper, Jochen Arne Otto |
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An agent based approach to interaction and composition Stephen Pearse, David Moore |
Time | Room | Thursday 18, September 2014 |
09:00- 10:40 | Odeon 3 | OS17: Gestures, motion and music Chair: Alexandros Kontogeorgakopoulos, Cardiff Metropolitan University, UK |
ArmKeyBoard: a mobile keyboard instrument based on chord-scale system and tonal hierarchy Jun-qi Deng, Francis Chi Moon Lau, Yu-kwong Kwok |
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Leap motion as expressive gestural interface Martin Ritter, Alyssa Aska |
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The procedural sound and music of ECHO::Canyon Rob Hamilton, Chris Platz |
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Mapping motion to timbre: orientation, FM synthesis and spectral filtering Israel Neuman, Charles Okpala, Cesar Bonezzi |
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Effects of different bow stroke styles on body movements of a viola player: an exploratory study Federico Visi, Esther Coorevits, Eduardo Miranda, Marc Leman |
Time | Room | Thursday 18, September 2014 |
09:00- 10:40 | Odeon 4 | OS18: Interfaces for sound and music Chair: Rafael Ramirez, PompeuFabra University, Spain |
miniAudicle for iPad: touchscreen-based music software programming Spencer Salazar, Ge Wang |
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Scaling up live internet performance with the global net orchestra Roger Dannenberg, Tom Neuendorffer |
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P300 harmonies: a brain-computer musical interface Zacharias Vamvakousis, Rafael Ramirez |
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Mutor: drone chorus of metrically muted motors Mo Zareei, Dale Carnegie, Ajay Kapur |
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Bassline pitch prediction for real-time performance systems Andrew Robertson |
Time | Room | Thursday 18, September 2014 |
11:10-12:10 | Onasis 2 | Keynote Speech 4 Chair: Ioannis Zannos, Ionian University, Greece |
Rhythmic processes in electronic music Curtis Roads, University of California, Santa Barbara, USA |
Time | Room | Thursday 18, September 2014 |
14:30- 16:10 | Odeon 2 | OS19: Perception and cognition of sound and music Chair: Stefania Serafin, Aalborg University, Denmark |
ML.* machine learning library as a musical partner in the computer-acoustic composition flight Benjamin Smith, Scott Deal |
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Merged-output hidden Markov model for score following of MIDI performance with ornaments desynchronized voices, repeats and skips Eita Nakamura, Yasuyuki Saito, Nobutaka Ono, Shigeki Sagayama |
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muTunes: a study of musicality perception in an evolutionary context Kirill Sidorov, Robin Hawkins, Andrew Jones, David Marshall |
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A Protocol for creating multiagent systems in ensemble with pure data Pedro Bruel, Marcelo Queiroz |
Time | Room | Thursday 18, September 2014 |
14:30- 16:30 | Odeon 3 | OS20: Algorithmic Composition-3 Chair: Dominique Fober, GRAME, France |
Musings on the status of electronic music today, Invited Speech CortLippe, University of Buffalo, USA |
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December variations (on a theme by Earle Brown) Richard Hoadley |
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Symmetrical and geometrical cycles in twelve-tone composition: developments toward a new model Telmo Marques, Paulo Ferreira-Lopes |
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Cage: a high-level library for real-time computer-aided composition Andrea Agostini, ÉricDaubresse, Daniele Ghisi |
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Musical processes representation Dominique Fober, Yann Orlarey, Stéphane Letz |
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Spatial transformations in simplicial chord spaces Luis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta |
Time | Room | Thursday 18, September 2014 |
14:30- 16:10 | Odeon 4 | SS4: Special Session “Iannis Xenakis: Technology and Philosophy-1” Chair: Makis Solomos, Universite Paris VIII, France |
Xenakis’s Philosophy of Technology Through Some Interviews, Invited Speech Makis Solomos, University Paris 8, France |
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Computer, formalisms, intuition and metaphors Α.Xenakian and post-Xenakian approach Jose Luis Besada |
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Creativity through technology and science in Xenakis Kostas Paparrigopoulos |
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What does create using technology mean? The paradigm of Xenakis Elsa Kiourtsoglou |
Time | Room | Friday 19, September 2014 |
09:00- 10:40 | Odeon 2 | OS21: New Interfaces for Musical Expression-2 Chair: Rafael Ramirez, PompeuFabra University, Spain |
Implementation and evaluation of real-time interactive user interface design in self-learning singing pitch training apps Kin Wah Edward Lin, Hans Anderson, Hamzeen Hameem, Simon Lui |
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Little Drummer Bot: building, testing, and interfacing with a new expressive mechatronic drum system Jim Murphy, Dale Carnegie, Ajay Kapur |
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Mechatronic Keyboard Music: design, evaluation, and use of a new mechatronic harmonium Jim Murphy, Ajay Kapur, Dale Carnegie |
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Implementations of the leap motion device in sound synthesis and live performance Lamtharn Hantrakul |
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OPERAcraft: blurring the lines between real and virtual Ivica Bukvic, Cody Cahoon, Ariana Wyatt, Tracy Cowden, Katie Dredger |
Time | Room | Friday 19, September 2014 |
09:00- 10:40 | Odeon 3 | OS22: Aesthetics of Computer and Interactive Music-2 Chair: John Mourjopoulos, University of Patras, Greece |
Timbral haunting: an interactive system re-interpreting the present in echoes of the past Michael Musick, Tae Hong Park |
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Translation as technique: collaboratively creating an electro-acoustic composition for saxophone and live video projection Christopher Jette, Kelland Thomas, Javier Villegas, Angus Forbes |
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Principles of visual design for computer music Ge Wang |
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Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches John Mourjopoulos, Charalambos Papadakos, Gavriil Kamaris, Georgios Chryssochoidis, Georgios Kouroupetoglou |
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Towards an aesthetic of electronic-music performance practice Marko Ciciliani |
Time | Room | Friday 19, September 2014 |
09:00-10:40 | Odeon 4 | OS23: Computer environments for sound/music processing-2 Chair: Roger Dannenberg, Carnegie Mellon University, USA |
Gamma: a C++ sound synthesis library further abstracting the unit generator Lance Putnam |
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Extending Aura with Csound opcodes Steven Yi, Roger Dannenberg, Victor Lazzarini, John Fitch |
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SoDA: A sound design accelerator for the automatic generation of soundscapes from an ontologically annotated sound library Andrea Valle, Paolo Armao, Matteo Casu, Marinos Koutsomichalis |
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Violin fingering estimation according to skill level based on hidden Markov model Wakana Nagata, Shinji Sako, Tadashi Kitamura |
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Alarm/will/sound: perception, characterization, acoustic modeling, and design of modified car alarms Alexander Sigman, Nicolas Misdariis |
Time | Room | Friday 19, September 2014 |
11:10-12:10 | Onasis 2 | Keynote Speech 5 Chair: Christos Carras, Onassis Cultural Center, Greece |
What is sound? Peter Nelson, University of Edinburgh, United Kingdom |
Time | Room | Friday 19, September 2014 |
14:30- 16:10 | Odeon 2 | OS24: Digital Audio Effects and Physical Modeling Chair: Alexandros Kontogeorgakopoulos, Cardiff Metropolitan University, UK |
Chorale synthesis by the multidimensional scaling of pitches, Invited Speech Clarence Barlow, University of California Santa Barbara, USA |
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The TR-808 cymbal: a physically-informed, circuit-bendable, digital model Kurt James Werner, Jonathan S. Abel, Julius O. Smith |
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Spatial and kinematic models for procedural audio in 3D virtual environments Jose Ignacio Pecino Rodriguez |
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Programmation and control of Faust sound processing in OpenMusic Dimitri Bouche, Jean Bresson, Stéphane Letz |
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Human perception of the soundscape in a metropolis through the phenomenology of neural networks Enrica Santucci, Luca Andrea Ludovico |
Time | Room | Friday 19, September 2014 |
14:30- 16:10 | Odeon 3 | OS25: Composition Systems / Techniques-2 Chair: Gerhard Eckel, University of Music and Performing Arts Graz, Austria |
Realism, art, technology and audiovisual immersion into the environment of the Ionian islands George Heliades, Apostolos Loufopoulos, Minas Emmanouil, Theofanis Maragkos |
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Real-time music composition through P-timed Petri Nets Adriano Barate, Goffredo Haus, Luca Ludovico |
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Chronotope Ivan Zavada |
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Physical and perceptual characterization of a tactile display for a live-electronics notification system Emma Frid, Marcello Giordano, Marlon Schumache, Marcelo Wanderley |
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Sonic scenography - equalized structure-borne sound for aurally active set design Otso Lähdeoja, Aki Haapaniemi, Vesa Välimäki |
Time | Room | Friday 19, September 2014 |
14:30- 16:10 | Odeon 4 | SS5: Special Session “Iannis Xenakis: Technology and Philosophy-2” Chair: Makis Solomos, Universite Paris VIII, France |
Technology and philosophical ideas in the instrumental music of Iannis Xenakis Benoît Gibson |
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Auditory fusion and holophonic musical texture in Xenakis’ spithoprakta Panayotis Kokoras |
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Round table Agostino Di Scipio, Jean-Claude Risset, Curtis Roads, Benoît Gibson, Panayotis Kokoras |
Chair: Georgios Kouroupetroglou, Department of Informatics and Elecommunications, University of Athens, Scientific Program Chair